Since 2009, we watched as video lights evolved from cumbersome systems with cords and huge battery packs to small, self-contained rechargeable units.
Adding dedicated video lights to our rigs would have added so much weight and bulk (not to mention expense) that it was just not feasible.Įnter LED video lighting. If we wanted to shoot high-quality still images (and we couldn’t bring ourselves to let go of that capability for even one dive), then the light output provided by a strobe was necessary in most scenarios. There are certainly lots of reasons behind this, but foremost was the lighting dilemma that accompanied the situation. Get the great results without the clunky strobes We immediately placed our names on a waiting list for 7D camera bodies, and by the following spring, our new toys were housed and submerged.Īnd then-you guessed it-not much changed.
We exchanged a flurry of emails immediately following the announcement, detailing the amazing, award-winning multimedia work that would emerge from our new cameras. When the specifications were released in 2009, we were as giddy and wide-eyed as two little kids at Christmas. For many dyed-in-the-wool still shooters, the lure of DSLR with 1080 HD video capabilities was too much to pass up, and we were no different.įor us, it was all about the Canon 7D.
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